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Caravaggio masterpiece painted in Naples rather than Sicily, researchers suggest

The Art Newspaper

New research has overturned conventional wisdom about the provenance of artists famed painting Adoration of the Shepherds

Research 313
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Generative artists unite to back research into degenerative disease

The Art Newspaper

For the Cure3 exhibition at Bonhams, to raise money for research into Parkinsons disease, contributing artists Auriea Harvey and Michal Samyn talk about the cause

Research 201
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Why artificial intelligence artists can be seen as ‘builders’, ‘breakers’—or both at once

The Art Newspaper

With AI art in 2025, the picture is complex Peter Bauman 11 July 2025 Share “I view technology not just as a tool but as a collaborator”: Sougwen Chung’s Spectral (left) was created with a robot Courtesy of the artist How do artists build in broken times? In this context, artists could be seen as builders and breakers.

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A canny couple: Amsterdam’s former mayor and his wife identified as sitters in Frans Hals portraits

The Art Newspaper

Fresh research has revealed how the prestigious pair seized the moment to ensure their likeness was painted by the great Dutch artist

Research 349
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The Intersection of Provenance Research and Technology in Fine Art 

JSK Fine Art Appraisals

Written and Edited by Emily Walters Provenance research is at the forefront of understanding a work of art and typically where experts begin when researching a piece for an appraisal. However this form of research only uncovers visible markers of a piece, but new technology opens up a whole new atmosphere of information.

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Dana-Fiona Armour wins Sigg Art Prize for work that integrates artificial intelligence

The Art Newspaper

German artist-researcher receives €10,000 award for “Alvinella Ophia”, depicting a hybrid serpent creature’s exploration of a dystopian desert future

Research 335
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New display at Tate Modern highlights role technology can play in expanding the scope of UK museum collections

The Art Newspaper

Works by four artists were created as part of the Transforming Collections: Reimagining Art, Nation and Heritage research project