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The artist bringing Van Gogh's paintings to life—without the use of AI

The Art Newspaper

Andrey Zakirzyanovs video animations of famous paintings are drawing in millions of views on across social media

Paintings 246
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A Van Gogh drawing—with what is almost certainly the artist's fingerprint—goes to auction at Sotheby's

The Art Newspaper

The sketch reproduces a long-lost painting of the public garden outside the Yellow House

Drawings 284
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Conservation work on Tintoretto’s ‘Crucifixion’ reveals traces of elaborate draughting grids

The Art Newspaper

The discovery adds to evidence that preparatory drawings were common practice for Venetian artists as well as for their Florentine peers

Drawings 303
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At the Parrish Museum, Artist Bertrand Meniel’s Photorealistic Paintings Will Make You Do a Double Take

Artnet News

"Beyond Reality: Paintings and Drawings by Bertrand Meniel" showcases the artist's extreme technical skill. The post At the Parrish Museum, Artist Bertrand Meniel’s Photorealistic Paintings Will Make You Do a Double Take appeared first on Artnet News.

Paintings 124
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Face to face: at Pallant House Gallery, meet the artists who paint, draw and sculpt other artists

The Art Newspaper

Opening on 17 May, Seeing Each Other: Portraits of Artists explores the tradition of portraiture among artistic peers, from the Bloomsbury Group to the British Black Arts Movement

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With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan

The Art Newspaper

Published on Fridays, stories range from newsy items about this most intriguing artist, to scholarly pieces based on meticulous investigations and discoveries. Bridge at Arles (March 1888) was one of the first landscape paintings done by Van Gogh after his arrival in Provence. Explore all of Martin’s adventures with Van Gogh here.

Paintings 305
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How Gretchen Andrew’s AI art is revealing the societal scars of ‘facetuning’

The Art Newspaper

Once a Silicon Valley software engineer and now an artist with a focus on the digital, Gretchen Andrew creates works that make the invisible impacts of technology visible. First, an oil paint printer makes the original, unmodified image and then the wet oil painting is put through an XY-axis drawing robot.