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Edward Burtynsky’s photographs convey the force of mankind’s reordering of the environment

The Art Newspaper

This was my biggest print back then—it was considered big at the time,” he says, referring to photographs around two feet wide of mines in Ontario and British Columbia from 1984 and 1985. The image was printed on adhesive vinyl in Burtynsky’s Toronto studio, where he has developed a range of advanced scanning, printing and imaging processes.

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The legacy of the Baghdad Modern Art Group is explored in first major US show

The Art Newspaper

All Manner of Experiments: Legacies of the Baghdad Modern Art Group, organised by the specialists Nada Shabout and Tiffany Floyd together with the museum’s chief curator, Lauren Cornell, unites 64 works of painting, sculpture and drawings by 30 artists including Dia al-Azzawi and Mohammed Ghani Hikmat.

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Fine Art Prints vs. Reproductions

Art Peritus

Fine Art Prints vs. Reproductions By Noelle DeSantis and Sarah Kirk Hanley Have you ever wondered why two seemingly identical prints by the same artist can have vastly different price tags? Among numerous factors, it is often the manner in which the print was produced that plays the most pivotal role in determining its value.

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Fine Art Prints vs. Reproductions

Art Peritus

Have you ever wondered why two seemingly identical prints by the same artist can have vastly different price tags? Among numerous factors, it is often the manner in which the print was produced that plays the most pivotal role in determining its value.

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‘My bank account is the only thing that slows me down’: Arlene Shechet on trusting her instincts

The Art Newspaper

In the early 80s I bought a set of Robert Mangold prints for my parents. That was made possible by a friend of mine who worked in the print shop. A Louise Bourgeois drawing for $5,000 that I didn’t have at the time. I still have them now and hold them dear.

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In tough times for dealers, Art Basel debuts a section for new works

The Art Newspaper

His gallery is showing works by three artists—black-and-white prints of detritus by Megan Plunkett, glittering metallic sculptures by Kayode Ojo and aluminium flood barriers by Alexandre Khondji—with the works priced between €5,000 to €50,000. Here we have more flexibility and we can present a fuller breadth of our programme.”

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In pictures: Art Basel's Unlimited section offers visions of utopia

The Art Newspaper

David Owens Andrea Büttner Shame Punishments (2022-25) Hollybush Gardens, David Kordansky, Jan Mot, Tschudi “Büttner is well-known for her prints and a real artist-researcher. It’s amazing: the energy of the kids or teenagers working, these fantastic colours, this sea of blue.

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