Analysis Sculpture Textiles 
The Art Newspaper
JUNE 24, 2025
Photo courtesy of Gary Kirchenbauer In 1989, an unpromising-sounding but alluring marble sculpture of a female nude came up for sale at a Christie’s auction held at an English country house in Hertfordshire. “It The other marble sculpture by Giambologna in the US, another nude dated to 1571-73, was bought by the Getty in 1982.
The Art Newspaper
JULY 24, 2025
Critics and visitors alike oohed and aahed at the restored 1914 mansion, still the centrepiece of its celebrated holdings of Old Master paintings, Italian and French sculpture, fine decorative objects and furniture. That will not change. Frick Collection Renewed Frick Collection balances tradition and transformation J.
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The Art Newspaper
JULY 2, 2025
Whether in painting, sculpture, textiles, film or photography all the artists in Black Earth Rising are dedicated to exploring questions of history, power, climate change, and social and environmental justice.
The Art Newspaper
JUNE 20, 2025
While Giacometti's ragged, attenuated sculptures reflect the horrors of the Second World War, Bhabha's totemic hybrid figures address the permanence of global warfare in the modern age. "Works by both artists powerfully summon the repercussions of ongoing conflicts on everyday life," Jhaveri says.
The Art Newspaper
JULY 1, 2025
The book features the work of 24 established and emerging artists who reinterpret the motifs and imagery of tatreez across various media, including painting, sculpture, textiles, film, photography and street art. Essays by the art historians Tina Sherwell, Wafa Ghnaim and Rachel Dedman place works in a historical and critical context.
The Art Newspaper
JUNE 30, 2025
Alongside Lahore’s Shakir Ali Museum, which is dedicated to another Modernist icon, and Karachi’s textile-focused Haveli Museum, the Gulgee offers a possible answer to the problem of how to preserve cultural heritage when state institutions lag far behind private collectors.
The Art Newspaper
JUNE 17, 2025
There is a particular focus on sculpture, which, Carmine explains, “was a challenge. There is also a healthy dose of textile, performance and painting from the 1960s onwards. It’s good because it’s open, but it was a bit more difficult in terms of getting our rhythm in the space.” Here, Carmine picks some of his favourite works.
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