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In place of plastic, the Ghanaian artist enfolded the building in a material evocative of global labour and trade—jute sacks made in Southeast Asia and imported to Ghana for the transportation of cocoa beans to European markets. The Kunsthalle recently relived the moment with another monumental intervention, this time by Ibrahim Mahama.
In your show at Hamburg’s Deichtorhallen, and also The Sprayed Dear exhibition in Stuttgart, your sculpture is at the fore—both in terms of your historic work and your contemporary work. I think that is the starting point for negotiating with one another and maybe with agreeing on certain things we all share. That’s the open-ended offer.
Candidate for Vice President(term ends June 2026 or 2027 depending upon necessity): Sara Leonowitz holds a Bachelor of Arts from the University of Delawares undergraduate program in art conservation, minoring in art history and religious studies. If you do not receive your ballot, please email nominating@washingtonconservationguild.org.
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