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In 1994, Madeleine Bessborough moved the New Art Centre , the sculpture gallery she established in London in 1958, to Roche Court in Wiltshire, built for Lord Nelson in 1804. But Hauser & Wirth is not alone in realising that a commercial gallery can take on a whole new character, audience and purpose in a rural location.
Each had been lined up for inclusion in the exhibition It Takes A Village at the Ditchling Museum of Art and Craft (until 1 February 2026), focused on artists who, like Gill, worked in the Sussex village in the early 20th century. It has since been restored and was reinstated in April.
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